| Ba |
Spiritual manifestation is the nearest description of
this hieroglyph although the word soul is also used but even then depends on the context. The
ba
was the spiritual aspect of the human being that survived, or came into
being, after death. The icon consists of a bird with a human head. |
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Baboon
ian |
The baboon appears in many contexts in Egyptian art and a
baboon god is known to have been worshipped from as early as the Archaic
Period (2920-2649 BC). |
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Barque
wia |
A papyrus boat with rear-mounted steering oars - the
preferred mode of travel for the gods. A shrine that held the god's
image stood where the cabin is usually located and the head of the deity
set upon a collar often surmounted the prow and stern of the boat. |
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Basket
nebet |
The woven wicker basket used in this icon was termed
nebet by the Egyptians and the sign was used in written language to
represent the phonetic group neb. Thus the hieroglyph came to be used in
two different contexts meaning "all" as well as
"lord" or "master". |
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Bee
bit |
The emblem of the Lower Egyptian
Kingdom. Connected with
Re, the sun god and associated with a number of other deities including
Amun, Min and Neith whose temple at Sais was called per-bit or
"house of the bee". Apiculture was practiced in many periods
as honey was used in food and medical preparations. |
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Board Game
senet |
Senet is represented in Old Kingdom tomb paintings from
the Fifth Dynasty. The word signifies "passing" and the game
seems to have been associated with passage through the underworld. |
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Bound Captive
sebi |
A kneeling prisoner with bound arms tied behind him. The
captive is depicted as harmless in an attitude of submission. The symbol
often appeared as larger statues and was also used as playing pieces in
the game of senet (see above). Large numbers of this type of figure were
placed in funerary complexes to represent enemies of different ethnic or
tribal groups. |
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Bow
iunet, pedjet |
The most powerful weapon of the ancient world and
therefore very significant in iconography. A symbol and attribute of the
goddess Neith. |
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Brazier
khet |
Often termed the "fire sign". Fire was regarded
as a mysterious and potent element and features in Egyptian religious
beliefs and in particular the concept of the underworld. Here the
imagery is very similar to the Christian conception of hell. In coffin texts and other works the underworld contained fiery rivers and lakes as
well as fire demons. These demons were identified with fire signs on
their heads! As with all signs the fire sign is ambivalent and was also
used as a symbol of protection. |
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Bread Loaf
te |
Bread was an essential part of the Egyptian diet.
Representations show loaves of oval, round and conical shape. The icon symbolizes
the process of offering at a number of levels. The loaf was used as a
generic food offering in the decoration of offering tables as well as in
the offering formulae found on funerary stelae and in tomb inscriptions. |
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Breast
menedj |
The symbol of fecundity, maternal or natural abundance.
Associated with Isis in her role as the mother of Horus and, less
obviously with Hapi, the god of the Nile inundation. He is shown as a
man with the beard of the gods and heavy, pendulous breasts. |
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Bull
ka |
Shown in two forms; docile and rampant, as depicted here.
A potent source of procreative life, the image of the bull could
represent the primeval waters and certainly had important fertility
connotations. The Egyptian king was also identified with the bull. |
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Bulti Fish
ienet |
Fish were viewed as ritually unclean and therefore
disallowed as offerings to the king, priests or the transfigured dead.
Nevertheless they were used as food by most people and so were often
represented in Egyptian art as a symbol of rebirth. |
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